A
A/B Roll Editing - Editing from two source VCRs to a third recording VCR. A switcher or mixer is used to provide effects such as dissolves.
A/B Story - "A" story is the main story/theme while "B" story refers to the background story.
A-Wind
- Emulsion position of the film. Holding up a piece of film, if the
emulsion faces you, then the image will appear correct. If its reversed
(mirror image), it is considered B-Wind.
Academy Aperture - The full frame of a 35mm image that is exposed by the camera. Aspect ratio = 1.33:1.
Academy Leader - AKA "S.M.P.T.E. leader." The countdown leader used at the beginning of a film which allows the lab to line up the sound.
Academy of Motion Picture Arts and Sciences Awards - The coveted annual award, the "Oscar," which is presented to the best of the best.
Academy of Motion Picture Sound
- A UK-based organization whose aims are to promote and encourage the
science, technology and creative application of all aspects of motion
picture sound recording and reproduction, and to promote and enhance the
status and recognition of the contribution of those therein engaged.
Action - "Action" is called during filming to indicate the start of the current take.
Actor/Actress - The "talent" who plays the role of a character.
Adaptation - Rewriting of fact or fiction for film presentation, usually in the form of a completed screenplay, or a proposal treatment.
Added scenes - Material, shots, sequences, or scenes written into a script during its principal filming or after its completion.
Additional Camera - An extra camera operator, often needed for complicated action sequences or stunts.
Additional Dialogue Recording - AKA "A.D.R." The dubbing (re-recording) of additional dialogue in a film.
Additional Photographer/ Photography - Handles the secondary shooting or reshoots.
Advance
- Dual meaning: When referring to a "composite print:" the distance
between a point on the soundtrack and the corresponding image. When
referring to "payment:" an amount given before receipt of services.
Ad Lib - Improvised lines, phrases, or even action bits used by an actor in spontaneous reaction to the given situation of a scene.
Aerial Shot - Camera shot from the point-of-view of an airborne craft, such as an airplane or helicopter.
Agency Meeting
- Gathering in which a potential client of an agency meets with the
agents to discuss the agents' plan and goals for creating a career for
the potential client.
Agent - Manager responsible
for the professional business dealings of an actor, director,
screenwriter, or other artist. An agent typically negotiates the
contracts and often has some part in selecting or recommending roles for
their client.
American Cinematic Editors - Union guild for film/video editors; also known as ACE
American Society of Cinematographers - Organization dedicated to advancing the art of cinematography.
Anamorphic - Optical system which creates a widescreen image from a standard image.
Ancillary Rights
- Enable the screenwriter to receive a percentage of the profits
generated by the film in areas such as posters, action figures, books,
records, T-shirts, etc.
Angle - Relationship between the camera and the subject(s) of the shot.
Angle On
- Direction in a shooting script which indicates that another camera
angle is to be made of a previous shot, usually to emphasize a specific
object in the shot.
Animation/Animator - Process
of creating (or person responsible for) the illusion of motion by
creating individual frames, as opposed to filming naturally-occurring
action at a regular frame rate.
Anime - Animated movies produced in Japan.
Annotation
- Comment specifying the source of each script element that is not
wholly fictional, including all characters, events, settings, and
segments of dialogue.
Answer Print - First completed edited-dubbed-scored, color-and-sound print of a film ready for initial scrutiny by the production team.
Antagonist - Villain of the film or script who is in conflict with the protagonist.
Anticlimax
- Anything that happens in the final few moments of a film that dulls
down the story crescendo and leaves the audience feeling let down and
unsatisfied.
Antihero - Protagonist who has
pronounced personality or character defects or eccentricities which are
not usually associated with the hero archetype.
Aperture -
Measure of the width of the opening allowing light to enter a camera.
The apparent diameter of a lens viewed from the position of the object
against a diffusely illuminated background is called the "effect
aperture". The ratio of focal length of a lens to its "effective
aperture" for an object located at infinity is called the "relative
aperture", or "f/stop". Higher apertures allow more light to enter a
camera, hence darker scenes can be recorded. Conversely, lower apertures
allow less light to enter, but have the advantage of creating a large
depth of field.
Arm - Metal rod (arm) which attaches to a C-Stand.
Arri - Abbreviation for the Arriflex Camera, a lightweight reflex motion-picture camera which comes in both 16mm and 35mm speeds
Art Department -
Crew concerned with visual artistry of a production. Members of art
dept. include: Art director, assistant art director, draftsman, leadman,
production designer, production buyer, property master, set dresser,
special effects supervisor, among others.
Art Director - Individual who oversees the artists and crafts people who build sets.
A.S.A. - Sensitivity to light which measures the film's speed. (Example: ASA 400.) "ASA" stands for American Standards Association.
Aspect Ratio - Measurement of the relative sizes of the horizontal and vertical components of an image.
Assembly Edit - Edit wherein all existing signals on a tape, if any, are replaced with new signals.
Assistant Art Director - Assistant to the art director.
Assistant Cameraman
- Member of the camera crew who assists the camera operator and is
responsible for the maintenance and care of the camera. Also may do
duties of clapper-loader and/or focus puller.
Assistant Director - Duties include tracking the progress of filming versus the production schedule and preparing the call sheets.
Assistant Film Editor
- Editing room crewmember responsible for providing logistical
assistance to the editor. Duties vary, depending on whether picture or
sound is being edited.
Assistant Production Manager - Assistant to production co-ordinator.
Associate Producer - Producer who shares responsibility for creative and business issues.
Association of Film Commissioners International - Non-profit educational organization that assists the needs of on-location film, television and commercial production.
Association of Film, Television and Radio Artists - Association with jurisdiction over some works that can be recorded by picture or by sound.
Association of Motion Picture and Television Producers - Union guild for Film/TV producers.
Atmosphere
- Tone or dimension added to the action by concrete or nebulous
qualities or elements such as rain, wind, heat, cold, danger,
spookiness, tranquillity.
Auction/Bidding War - Situation in which a spec script, book, or written material is presented to several studios, all wanting to buy the work.
Automatic Dialogue Replacement (ADR) -
Re-recording of dialogue by actors in a sound studio during
post-production, usually performed to playback of edited picture in
order to match lip movements on screen.
Avant Garde - Experimental or highly independent film that is often the forerunner of a new artistic genre
AVID Editor - Non-linear editing system.
B
B Roll - Cutaway shots which are used to cover the visual part of an interview or narration.
Backdrop - Artificial background, usually painted on a cyclorama,
curtain, or flats, used to achieve the effect of a natural environment
such as a forest, beach, prairies, mountains, or other landscape in a
shot or sequence.
Backend - Film's profit from theater ticket sales, video rentals, and ancillary markets.
Back (REAR) Projection - Photographic technique whereby live action is
filmed in front of a screen which the background action is projected on.
Background Artist - Individual responsible for designing or constructing the art placed at the rear of a set.
Balance Stripe - A second stripe on 35mm mag stock to prevent warping.
Barn Doors - Hinged metal flaps attached to tops and/or sides of
lighting devices in order to control the light, create desired shadows,
or block unwanted shadows
Base - The clear perforated strip of a piece of film.
Beat - Directional word used to indicate a pause in an actors speech or action.
Behind the Scenes - The off-camera goings on associated with film/videomaking.
Best Boy - Chief assistant, usually of the gaffer, but more often
lately used as a general term for the second in command of a group.
Betacam - The most common broadcast quality video format.
Billing - Size and placement of the order of names in the movie's title
in printed publicity material or opening credits. Biographic Picture -
A filmed story of a person's life story.
Bit Part/Role - Small unimportant role, usually lasting only one scene.
Black and White - Films prior to the advent of Technicolor.
Black Comedy - Comedy in which the humor is derived from subjects which
are typically considered "serious", or for which humor is usually
considered as unsuitable: death, war, misery.
Blacklisting/Blackballing - List of filmmakers or actors who have either
been formally or informally discriminated against, due to their
personal, political, social, or religious beliefs.
Blimped Camera - Camera with internal soundproofing. Camera will say "BL."
Block/Blocking - Rehearsal to determine the position and movement of
the camera, actors, and crew during a particular shot or scene.
Blockbuster - Movie which is a huge financial success; $100 million or more.
Body Double - A body which is used for "doubling" the actor's body in certain scenes; i.e.: nudity shot.
Bolex - Swiss made 16mm non-sync camera. Very popular.
Boom Microphone - Long pole with a microphone on the end.
Boom Operator - Member of the sound crew who operates the boom microphone.
Bootleg - Unofficial and illegally copied or distributed version of a movie, often of a substandard quality.
Bounce Card - Silver or white card that is used to bounce light onto a subject.
Box-Office - Measure of the total amount of money paid by movie-goers to view a movie.
Bracketing - Filming of multiple takes (of the same shot) at different f-stops.
Breakdown Script - Detailed list of all items, people, props, etc. required for a shoot on a day-by-day basis.
Budget - Funds required to produce a film or television production,
derived by combining all projected expenses for equipment, salaries,
locations, travel, and all other above-the-line and below-the-line
production costs.
Butterfly - Scrim which is tightened on an oval
frame and used to diffuse strong sunlight on location shooting, or to
reduce any excessive light on a subject.
C
C-Mount - Screw mount type of lens.
Call Sheet - Listing of which actors will be required for which scenes, and when they will be required.
Cameo - Bit part played by a famous actor who would ordinarily not take such a small part.
Camera Crew - Crewmembers directly involved with operation of the
camera. Individual job titles include: clapper-loader, camera operator,
assistant cameraman, director of photography, focus puller, grip, key
grip, dolly grip, additional camera.
Camera Operator - Individual who operates the camera to the specifications dictated by the director of photography.
Camp/Campy - Form of comedic parody where the cliché conventions of a
dramatic form like adventure are deliberately exaggerated to the point
of absurdity.
Can - Metal or plastic containers used for the transport and storage of film
Cast - A collective term for the actors appearing in a particular movie.
Casting - Process of hiring actors to play the characters in a script.
Casting Couch - Slang term referring to "Golden Age" of Hollywood,
where wannabe stars would grant sexual favors to directors/producers in
return for a role in their film.
Can't find what you're looking for?
A greatly expanded version of the glossary is included on the
downloadable ebook version of this site.
Casting Director - Individual responsible for selecting actors to play roles.
Cel - Hand drawn sheet representing a single animation frame, usually
made of a clear material like cellulose or mylar to allow several layers
of composition.
Celluloid - Flammable film base made of cellulose nitrate
Censorship - Changes required of a movie by some person or body other
than the studio or the filmmakers, usually a national or regional film
classification board. See also certificate.
Certificate of
Authorship - Form signed by the author of a screenplay or other written
work that warrants the author's work is original, does not libel another
party, does not invade anyone's privacy, and will not cause the buyer
of the work to be sued for any legal action.
Change Pages - When a
script is being edited during production, changes are distributed to
actors and the filmmakers on "change pages", which are usually a
different color to the pages of the script.
Change-Over Marks -
Marking on last few frames of a reel to signal that projectionist that
the current reel is approaching the end, and they should be ready to
start the next projector, which should have the next reel prepared for
projection. Changing Bag - Double chambered black bag used for loading
film into magazines.
Character Actor - Actor who specializes in playing a particular style of character, often stereotypical, offbeat, or humorous.
Character Arc - Formulaic inferred curved line which traces the
development, growth, and transformation of a character over the course
of the screenplay
Character Generator - Electronic typewriter that creates titles for video.
Check Print - Print made to verify the level of success of a specific effect.
Choreographer - Individual who plans and directs dance sequences within a movie.
Chroma - Color information in a video signal, consisting of hue (phase
angle) and saturation (amplitude) of the color subcarrier signal.
Chroma Key - Process of overlaying one video signal over another by
replacing a range of colors with the second signal. Chrominance -
Color portion of a video signal.
Cinch Marks - Scratches on a strip
of film running parallel to its length caused by improper reel winding
which allows one coil of the print to slide against another.
Cinema
Verité - Meaning is "cinema truth." A documentary style in which no
directorial control is exerted. The term is frequently misused to
describe new-wave "handheld" camera techniques ala M-TV.
Cinematographer - Individual with expertise in the art of capturing
images either electronically or on film stock through the application of
visual recording devices and the selection and arrangement of lighting.
Clamp Light - A lighting fixture which can be attached (via a spring clamp) to a variety of places (door, table, chair, etc.)
Clapboard - Small board which holds information identifying a shot:
working title of the movie, names of director and DP, scene and take
numbers, date, and time. Used at the beginning of a take, the clapboard
has a hinged stick which is "clapped" to provide audio/visual
synchronization.
Clapper-Loader - Individual who operates the
clapboard at the beginning of a shot, also responsible for loading film
magazines into the camera.
Claymation - Animation of models constructed from clay or plasticine.
Cliffhanger - Moment of high drama, frequently used at the end of serials.
Close Captioned /CC - System which displays the current dialog on screen for deaf or hard-of-hearing viewers.
Close-up (CU) - Shot in which the subject is larger than the frame; approx. from the top of chest to top of head.
Co-Producer - Producer who has equal responsibility for the completion of a project.
Code Numbers - Edge numbers that are inked onto a workprint and mag track after syncing.
Color Bars - Standard video test pattern which includes samples of primary and secondary colors.
Color Consultant - Technical advisor with expertise in film stock and
film developing, who provides advice for cinematographers and color
timers.
Color Temperature - Method for measuring the overall color
of a light source, measured in degrees Kelvin (deg.K). Daylight is
approximately 5500 deg.K. Fluorescent Lights are approx. 4100 deg.K.
Indoor incandescent lights are 2800 deg.K and professional Movie Lights
are 3200 Deg. K
Color Timing - Process which adjusts the final
print so that colors match from shot to shot, regardless of the film
stock and camera used to shoot the scene.
Colorization - Film alteration process where an operator digitally alters a black and white image to include color.
Compensation - With regard to writers, the money paid for writing
services or for the sale of a screenplay. Also called "consideration."
Composer - Musician whose music appears in a movie's score.
Composite Print - Print with a images and sound on the same strip of film.
Conformations - Varying progressive versions of a film that is in the editing stage.
Contact Print - Copy of a print whether it be a workprint, answer print, or release print.
Contingent Compensation - Form of compensation received by a writer,
after the writing services have been completed, if he is awarded writing
credit for the project. The contingent compensation may include a
production bonus, net profits, reserved rights, and/or additional
payments in the event of a film or television sequel, remake, or
spinoff.
Continuity - Degree to which a movie is self-consistent without error or jumpcuts.
Continuity Report - Detailed list of the events that occurred during the filming of a scene.
Control Track - Type of video editing that controls the in and out
points of edits by counting pulses on a control track portion of the
videotape.
Cookie - Flat piece of material with irregular holes cut
into it. Used for creating pattern of shadows when positioned in front
of a light source.
Copyright - Body of United States federal laws
and international laws that protect original and creative expression
that is in a fixed and tangible form.
Core - Plastic piece used to hold film without a reel.
Costume Designer - Individual who designs the costumes for a movie.
Costume Supervisor - Individual responsible for handling the costumes worn by actors.
Coverage - Performed by a reader, this process involves a script
synopsized, reviewed, and evaluated with respect to the story, character
development, plot development and so forth, and then rated, with the
intention of informing others as to whether or not the script is worthy
of further consideration.
Credit - The authorship given to a
written work in the entertainment industry. For film: "Story by,"
"Screenplay by," and "Written by." For TV: "Created by," Story by," and
"Teleplay by."
Credit Arbitration - Process run by the Writers
Guild of America in which disputes concerning the award of credit (as in
"Story by, "Screenplay by," "Teleplay by," and "Written by") are
decided. The method in which these decisions take place has the WGA
sending all drafts of the disputed work to three separate individuals;
separately and without knowledge of each other, they decide which writer
deserves the award of credit. When two of the three individuals agree
on the award of credit, the decision is considered final.
Crew/crew members - Collective term for anyone involved with the production of a movie who does not appear in the movie.
Critic - Individual who publishes a review of a movie from either an artistic or entertainment point of view.
Critial End - Label on a film can that notifies the lab that filming
ran out during important shot and to salvage as many frames possible.
Crystal Sync - Sync sound created using a camera that has a quartz crystal-governed motor.
C.T.B. (and) C.T.O. - Abbreviations for "Color Temperature Blue" (and)
"Orange" respectively. The color correction gels used to convert the
color temp from tungsten to daylight (BLUE) and from daylight to
tungsten (ORANGE).
Cut - In filming, to change from one shot to
another immediately. In directing, called by the director to stop action
by the performers, camera, and audio equipment. In film editing, to
eliminate unwanted portions, visual or audio, of a film.
Cutaway - Shot of something outside the frame which can be used to hide an edit.
D1/D2/D3 - Professional digital video formats. The D1 system uses component video. The D2 and D3 systems use composite video.
D
D.A.T. (Digital Audio Tape) - Audio recording and playback format
developed by Sony, with a signal quality capability surpassing that of
the CD.
Daylight Balanced - Color temperature of daylight (5400K).
Color film that is "daylight balanced" should be used outdoors. If shot
indoors (w/o a filter), the film image will have an orange hue.
Daylight Spool - Black film spool that protects the film from becoming
completely exposed when loading a camera in daylight. Note: Always load a
camera in a relatively dark area away from any light source.
Dailies - First positive prints made from the negatives photographed on the previous day.
Deferred Compensation - Money to be paid from funds that, for a writer,
are generally the net profits. Rarely will the writer ever see such
compensation.
Denoument - Concluding scenes of a movie where the
story elements are finished and the characters' status after the climax
is shown.
Depth of Field - Measure of the range along a camera's line of site in which objects will be in focus.
Development - Process in which a script is altered, changed, modified,
etc., by a series of collaborative meetings between the writer and/or
production executive, studio executive, director, or other individuals
who may be attached to the project.
Diffusion - (1) Material used on a movie light to soften shadows. (2) Filter used on a camera to create soft focus effect.
Digital Compositing - Technique whereby separately filmed components are combined through digital editing.
Digital Editing - Editing a portion of a movie by digitizing one or
more frames and altering them electronically or combining them with
other digitized images, and then printing the modified frame.
Diopter - Adjustable part of camera viewfinder which compensates for individuals eyesight.
Director - Principal creative artist on a movie set.
Director of Photography - Cinematographer who is ultimately responsible
for the process of recording a scene in the manner desired by the
director.
Director's Cut - Cut of a movie without studio interference as the director would like it to be seen.
Director's Guild of America - Union guild for directors.
Dissolve - Editing technique whereby the images of one shot is gradually replaced by the images of another.
Distributor - Organization responsible for coordinating the
distribution of the finished movie to exhibitors, as well as the sale of
videos, laserdiscs, and other media versions of movies.
Documentary - Non-fiction narrative without actors.
Dolby Noise Reduction - Enhances different levels of audio depending upon the desire effect.
Dolly - Small truck which rolls along dolly tracks carrying the camera and some camera crewmembers.
Dolly Grip - Crewmember who moves a dolly.
Dope Sheet - List of scenes from the script that have already been
filmed, or a list of the contents of an exposed reel of film stock.
Double Perf - 16mm film stripe which has perforations on both edges.
Draftsman - Individual who creates the plans for set construction.
Driver - Individual who drives either equipment or passenger trucks,
typically between location shootings, sets, and the studio.
Dropout - Defect on the videotape which causes a brief flash of a horizontal black line on the screen
Drop Frame - Type of SMPTE time code designed to exactly match the real
time of common clocks. Two frames of time code are dropped every
minute, on the minute, except every tenth minute. This corrects for the
fact that video frames occur at a rate of 29.97 per second, rather than
an exact 30 frames per second.
Dubbing - Technique of combining multiple sound components into one.
Dub/Dupe - Duplicate copy of a videotape.
Dutch Tilt - Shot composed with the horizon not parallel with the bottom of the frame a.k.a. "canted angle."
E
Edge Numbers - Numbers printed on the edge of a print to allow easy identification of frames.
Editing - Reconstructing the sequence of events in a movie.
Editor - Individual who performs editing (in consultation with the director) on a movie.
Edit Decision List (EDL) - Complete list of time code numbers for each
shot and sound used in the off-line edit master. These time code numbers
are used to create the final on-line edit master.
Electrical
Department - Section of a production's crew responsible for lighting and
other electrical matters during filming. Electrician - Grip that
specializes in the equipment of the electrical department.
Emulsion
- Thin layer of silver attached to base of a film strip. The silver
reacts with the light when exposed which creates a film image.
Emulsion Type - Refers to the composition of a film's emulsion and how
it was manufactured. (Example: fast/slow, daylight/tungsten, etc.) The
emulsion type is represented by a number which varies from one company
to another.
Can't find what you're looking for? A greatly expanded
version of the glossary is included on the downloadable ebook version of
this site.
Encode - Process of combining analog or digital video signals, e.g., red, green and blue, into a composite signal.
Epic - Film with large dramatic scope or that required an immense production.
Establishing Shot - Wide shot showing much of the location.
Executive Producer - Producer who is not involved in any technical
aspects of the filmmaking process, but who is still responsible for the
overall production usually handling business and legal issues.
Exposure Index (E.I.) - Number which is used to measure a film's speed
based upon the film stock's sensitivity to light. Similar to A.S.A. and
I.S.O.
Exterior (EXT.) - Used in a slug line, indicates that the scene occurs outdoors.
Extra - Individual who appears in a movie where a non-specific,
non-speaking character is required, usually as part of a crowd or in the
background of a scene.
Extreme Close-up (ECU) - Shot in which the subject is much larger than the frame. Provides more detail than a close-up.
Extreme Long Shot - Camera cue in direction used to describe a shot taken by a long distance from the subject
Eye Line - Direction an actor should be focused on, off-screen, so as to match a reverse angle or point-of-view shot.
Exposure Index - AKA "E.I." or "ASA." It is the specific number used to measure film speed.
F-Stop - A scale that measures the size of the opening of an iris. The
traditional scale runs: 1.4, 2, 2.8, 5.6, 8, 11, 16, 22. The smaller the
number, the larger the opening of the iris, allowing more light.
Conversely - the larger the number, the smaller the iris, allowing less
light.
F
Fade - Smooth, gradual transition from a normal image to complete blackness (fade out), or vice versa (fade in).
Fade IN - First words typed in a script. Literally means "to begin."
Fade OUT - Last words in a script which means "the end."
Fast Motion - Shot which in which time appears to move more quickly
than normal. The process is commonly achieved by either deleting select
frames (called "skip frames") or by undercranking.
Feature - Movie at least 60 minutes long intended for theatrical release or script at least 90 pages long.
Festival - Event at which films can often premiere
Field - One-half of a television frame, containing all the odd or even scanning lines of the picture.
Fill Light - After the key light (primary light) is set, a fill light softens the shadows created by the key light.
Film Developing - Process whereby images recorded on film stock are transferred to a negative print.
Film Magazines - Reel of film stock ready for use in a camera.
Film Noir - Describes a genre of film which typically features dark,
brooding characters, corruption, detectives, and the seedy side of the
big city.
Film Plane - The plane of depth from the lens of the film (behind the gate) in the camera.
Film Printing - Process of transferring images from a negative print to a print.
Film Speed - Film stock has a variety of speeds which is created by the
size of the silver halides in the emulsion. The smaller the grain, the
slower the film which in turn requires more light to achieve the correct
exposure.
Film Stock - The physical medium on which images are recorded.
Filmmakers - Collective term used to refer to people who have a
significant degree of control over the creation of a movie: directors,
producers, screenwriters, and editors.
Filter - A device, usually a
piece of glass or plastic, that is positioned in front of a lens to
create an effect or change the color temp of an image.
First Draft -
As set forth in the Writers Guild of America Minimum Basic Agreement, a
first complete draft of any script in continuity form, including
dialogue.
Flag - Aperatus consisting of a black cloth on a frame that blocks part of a light source.
Flare - Pattern of light that washes out a film roll at the start and
end of the roll. Another type of flare is a "lens flare" which occurs
when light hits the lens and and causes the image to be foggy.
Flash Frame - A single frame between two shots that is completely blank or clear.
Flashback - Scene that breaks the chronological continuity of the main
narrative by depicting events which happened in the past.
Flashforward - Scene that breaks the chronological continuity of the
main narrative by depicting events which happen in the future.
Flatbed - An editing table that has a screen in the center with several editing plates lying flat.
Focal Length - A measurement of the magnification of a lens indicated in millimeters.
Focus - Sharpness of an image, or the adjustments made on a camera necessary to achieve this.
Focus Group - Group of approximately 10/12 members of the public that
represent the target audience for a film who attend a sneak preview and
then offer feedback to producers before further editing.
Focus Puller - Member of the camera crew who adjusts the focus of the camera during filming.
Foley - Art of recreating incidental sound effects (such as footsteps)
in synchronization with the visual component of a movie.
Foley Artist/Editor - Individual who creates (or edits) the foley sound effects.
Follow Focus - Shot in which the camera focus is changed to compensate for the movement of the action or the camera itself.
Footage - Amount of film that has been shot or the entirety of exposed film.
Foot Candle - Simply, a measurement of light. The formula is "the light of one candle, one foot away."
Foreground - Objects or action which is closest to the camera.
Format - Describes the equipment and film or tape used. Examples for
film: (8mm, Super 8, 16mm, 35mm). For video: (VHS, HI-8, Beta).
Frame - Individual picture image which eventually appears on a print OR
in video: A complete television picture made up of two fields, produced
at the rate of 29.97 Hz (color NTSC), or 30 Hz (black & white NTSC).
Frame Rate - Movies are created by taking a rapid sequence of
pictures (frames) of action and by displaying these frames at the same
rate at which they were recorded, the illusion of motion can be created.
Film=24 frames per second and Video=30fps (in Europe using P.A.L.=25
fps).
Freeze Frame - Optical printing effect whereby a single frame is repeated to give the illusion that all action has stopped.
Fullcoat - Mag stock with a layer of oxide that covers one side. 16mm is fullcoat, but 35mm can be either fullcoat or stripe.
G
Gaffer - Head of the electrical department.
Gaffer's Tape - Cloth tape that looks similar to electrical duct tape without the sticky residue.
Gate - AKA "film gate." Opening on a camera (or projector) behind the
lens through which a single frame is exposed (or projected).
Gel - Tinted piece of transparent plastic which covers a light source.
General Meeting - A "look-see" type of meeting in which a writer meets
with a producer, production executive, studio executive, and so forth,
as a form of introduction. Generally, in this meeting the producer,
production executive, studio executive, and so forth, does not have a
specific project in mind for which the writer will be hired.
Generation Loss - Created when editing or copying one analog videotape to another videotape.
Gofer - Film or video production assistant often sent to "Go for" coffee or other essentials.
Go Motion - Form of animation similar to stop motion, but which incorporates motion blur.
Green Light - To give a film project the studio backing and financing to begin principal photography.
Grip - Individual responsible for the adjustment and maintenance of production equipment on the set.
Gross Profits - Also known as "first dollar gross," this form of
compensation entitles an individual to a percentage of every dollar of
gross receipts.
Guerrilla Producer - One who produces an effective video on a shoestring budget.
H
Halogen - Gas contained in the lamp of a quartz light.
Handheld - Shooting without the use of a tripod.
Hard Light - Type of light that creates brilliant highlights and sharp shadows.
Head Room - Space between the top of a subject's head and the top of the frame.
HI-8 - Video format technically similar to SVHS which uses smaller cassettes.
High Concept - Phrase connected with scripts which have a premise or
storyline which is easily reduced to a simple and appealing one line.
Hip-Pocketing - Agent/agency's practice in which an individual(s) is
represented by the agent/agency on a single project only, with no
agreement that the agency or agent will continue to represent the
individual once the project or interest in the project has ended.
HMI - Powerful and bright (but heavy and rather expensive) light that is
balanced for daylight. Stands for "Halogen Metal Incandescence."
Hot Set - Set on which a scene is in the process of being shot; labeled
thus to indicate that it should not be changed or disturbed.
Hyperfocal Distance - Distance set on the focusing ring which will best use the depth of field for a particular shot.
I
In The Can - Same as "that's a wrap" to indicate that the scene or program which has been completed.
Incident
Light Reading - The amount of light measured that hits the camera's
subject. The reading is taken with a light meter in which the globe or
sphere of the meter is held up against the subject, pointing towards the
camera, so that the same amount of lighting that strikes the subject is
also striking the meter.
Independent Film /Indie - Movie not produced by a major studio.
Ink - To sign a contract. Insert - Close-up shot of an object, often produced by the second unit.
Insert Edit - An electronic edit in which the existing control track is not replaced during the editing process.
Interior/ INT. - Used in a slug line, indicates that the scene occurs indoors.
Internegative - Middle grade copy of a film that is used to make additional prints.
Interpositive - Copy of a film on extremely fine grained stock used to make an internegative.
Intertitles - Title card appearing intercut with a scene.
Iris
- Opening in the lens which controls the amount of light that passes
through the camera to expose the film. Measured in "f-stops."
I.S.O. - Abbreviation for "International Standards Organization." It is the same thing as I.E. or A.S.A., though used less.
J
Jam Sync - Process of synchronizing a secondary time code generator with
a selected master time code, e.g., using the time code generated by one
camera to insert the identical time code on a second camera. Jump Cut
- Cut involving an interruption to the continuity of time.
K
K - (1) Abbreviation for "Kelvin" (scale used for color temp) or (2) an
abbreviation for "Kilowatts" (measurement of brightness).
Kelvin - Color temperature scale created by Lord Kelvin.
Key Grip - Chief of a group of grips, often doubling for a construction coordinator and a backup for the camera crew.
Key Light - The primary light used to illuminate a subject.
Kicker
- Light placed behind the subject to create a glamorous halo effect on
the hair or a rugged-looking highlight on the cheek which helps separate
the subject from the background.
L
Lab Roll - Group of camera rolls joined together by a lab for printing.
Latitude
- Degree to which a particular film stock can tolerate without being
over or under exposed. Color negative stock has a high latitude, while
reversal film has a very low latitude.
Lavaliere - Small microphone that is clipped to a person's clothing.
Layback - Transferring the sweetened audio track back to the master video tape.
Layouts
- Individual responsible for working out the action before filming
begins, including where the characters should be, and the camera angles.
Lead Role - The most important character in a movie, often distinguished by gender.
Leadman - Member of the art department who is in charge of swing gangs and/or set dressers and reports to the set decorator.
Letterboxing
- Technique of shrinking the image just enough so that its entire width
appears on TV screen, with black areas above and below the image.
Light Leak - Stray light that filters into the camera causing the image to have a foggy appearance.
Lighting
Crew - Group of technicians who install, operate, and maintain
lighting. Can't find what you're looking for? A greatly expanded
version of the glossary is included on the downloadable ebook version of
this site.
Line Producer - Producer who is responsible for managing every person and issue during the making of a film.
Lined
Script - Copy of the shooting script which is prepared by the script
supervisor during production to indicate, via notations and vertical
lines drawn directly onto the script pages, exactly what coverage has
been shot.
Literary Manager - Individual hired by a writer to
promote his career, offer advice on the best steps to take to achieve
the desired goal, and give guidance on the best people to hire to aid
the writer in maximizing his potential.
Live Area - A camera's
viewfinder actually shows a greater area of the scene than will appear
in the final product so markings are etched in the viewfinder to
indicate to the camera operator the extents of the "viewable" film.
Location Filming - Filming which occurs at a place not constructed specifically for the production.
Location
Manager - Individual who manages various aspects of filming on
location, such as arranging with authorities for permission to shoot in
specific places.
Location Scout - Individual who looks for suitable locations for filming.
Location Sound - Sound that is recorded at a particular shoot.
Log - Paper listing of the time code addresses of shots, scenes and takes.
Long-Form TV - Also known as "MOW's," these are movies and miniseries that are aired on free or pay television.
Long Lens - In 16mm, any lens bigger than 25mm. In 35mm, any lens bigger than 50mm.
Long Shot (L.S.) - Camera cue indicating a shot taken from a distance.
Loop
- The slack film that hangs below/above the film gate. The "loop"
allows a smoother transition for the film as it moves from the constant
motion of the spool through the intermittent motion of the gate and back
to the constant motion of the take-up spool. Another type of "loop" is
described below.
Looping - In recording of dialogue, the film is
on a "loop" which allows the actor multiple attempts to match the lip
movements that have been filmed.
Luminance - The monochrome portion of a video signal.
M
Macguffin - Term used by Alfred Hitchcock to refer to an item, event, or
piece of knowledge that the characters in a film consider extremely
important, but which the audience either doesn't know of or doesn't care
about.
Macro Lens - Lens used for extreme close-ups. Used widely
in nature photography where the subject (for example) might be a flower
or insect.
Mag - Abbreviation for either a "Magazine" or "Mag
Stock/Track." Mag Stock (or) Mag Track - Film that has a coating of
magnetic oxide emulsion which is used for sound recording.
Magazine
- Light resistant chamber that is attached to the camera which can hold
up to 1000ft of film. Magnetic Soundtrack - Composite print in which
the soundtrack is recorded on the attached strip of magnetic tape.
Majors
- Major Hollywood movie producer/distributor studios (MGM/UA, 20th
Century Fox, Sony Pictures, Warner Bros, Paramount Pictures, Universal,
and Disney).
Mark - AKA "Sync Mark." The point where the
clapsticks come together at the start of a shot. Another type of "mark"
is simply a piece of tape on the floor telling the actor where he/she
should be standing.
Master Shot - Wide shot that incorporates the entire scene from start to end.
Match Cut - A transition from one scene to another matching the same, or a similar subject within the frame
Match Frame Cut - An edit in which the source and record tapes pick up exactly where they left off.
Materials
Contract - Contract for representation by an agency with regard to the
sale of a work that the writer has created on his own, in a situation
where the writer was not hired to create the work.
Matte Artist -
Individual who creates artwork (usually for the background of a shot)
which is included in the movie either via a matte shot or optical
printing.
Matte Shot - Photographic technique whereby artwork - usually on glass - from a matte artist is combined with live action.
Medium Shot (MS) - A camera angle often used to describe a shot of character from the waist up.
Method
Acting - Style of acting formalized by Konstantin Stanislavsky which
requires actors to draw experiences from their own personal lives that
correlate to the character they are playing.
Microphone - Device which converts sound into electrical impulses, usually for recording or amplification.
Minimum Basic Agreement - Fees and basic working conditions for the
employment of writers within the entertainment industry as negotiated
and set forth by the Writers Guild of America. Mini-Series -
Television series with a set number of episodes which tell a complete
story, usually filmed at the same time.
Mise-en-scene - Literally
translated as "what's put into the scene", this is the sum total of all
factors affecting the artistic "look" or "feel" of a shot or scene.
Mix - Process of blending the various soundtracks into a single track. .
Mixer - (1) Device which blends together sounds from various sources and (2) the individual(s) who controls the mixing board.
M.O.S. - Abbreviation for "Mit Out Sound" in which a sequence of film is shot without sound and then added later.
Monitor - Video display similar to a TV, but having superior visual quality and without a tuner.
Montage - A rapid succession of shots, through the use of visual editing, which creates the artistic look of a scene.
Motion Blur - Shots of objects that quickly move in the camera's frame,
and/or shots with a slow shutter speed are likely to produce a smearing
effect, since the object is in a range of positions during a single
exposure.
Motion Capture - Animation technique in which the
actions of an animated object are derived automatically from the motion
of a real-world actor or object.
Motion Picture Association -
Association that serves as the voice and advocate of the American motion
picture, home video and television industries, domestically through the
MPAA and internationally through the MPA.
Motion Picture Editors Guild - Professional organization for editors.
Moviola - Company that makes editing beds of the same name.
Moviscop - Small 16mm table-top viewer used on an editing bench.
Multimedia
- Creation of products, mainly software, that may involve the
combination of written text, visual imagery, film, and/or music.
Music Editor - Individual who performs editing on the score of a movie.
Music Supervisor - Individual who coordinates the work of the composer, the editor, and sound mixers.
Musical - Production whose dramatic story structure includes unrealistic episodes of musical performance and/or dancing.
N
NC-17: No One 17 and Under Admitted - A certificate issued by the MPAA
indicating that no person aged 17 or under will be allowed to attend a
screening of the movie. This category was formerly called "X", but many
people's mistaken association of "X" films with XXX films caused the
MPAA to change this on September 27, 1990.
N.T.S.C. (National
Television Standards Committee) - Created the first international
television system for use in the U.S. and other countries which produces
pictures by creating 525 alternating lines across the TV screen for
each frame of video.
Negative - The original film that is used in the camera from which a positive print is made for editing purposes.
Negative Cost - Cost of a movie through the production of a finished
negative, not including the costs of prints, advertising, or
distribution.
Negative Cutter - Individual who matches the negative
of a movie and conforms (matches) it to the final version of the film
as decided by the filmmakers.
Net Profits - (1) Participation based
on 100 percent of net profits: The sums remaining after a full
recoupment and deduction of distribution fees and costs, and after
payment of deferments, but with no deduction for other net profit
participants. (2) Participation based on a percentage of the producer's
net share: The sums remaining after full recoupment, payment of
deferments, if any, and thereafter deducting continuing distribution
costs and fees, from which another portion (as much as 50 percent) may
be retained by the studio or financing entity as compensation for
supplying financing and completion advances.
Non-Drop Frame - Type of SMPTE time code that continuously counts a full 30 frames per second.
Non-Linear Editing - The computer-assisted editing of a movie without the need to assemble it in linear sequence.
Non-Reflex - Camera with a viewfinder that shows the image through a secondary lens.
Non-WGA
- Written work for the entertainment industry that is done for a
company which has not signed (or become a signatory} to the Writers
Guild of America Minimum Basic Agreement.
Normal Lens - 25mm lens (for 16mm cameras) and 50mm lens (for 35mm cameras).
Nose
Room - Space between the subject's face and the edge of the frame (when
the subject is in a profile position). Generally, 2/3rds in front and
1/3rd behind.
NTSC - The standard for TV/video display in the US and Canada.
O
Offline - Creative editing process which uses copies of the camera tapes
on a typically "cuts only" inexpensive editing system.
One
Hundred Eighty Degree Rule (180º Rule) - An invisible line that
separates the subject and the camera. Crossing over this imaginary line
creates a jump which gives the appearance that the subject has reversed
directions.
One Light - A print that has not been corrected showing what the shots will look like with the same print lighting.
Online
- The final technical editing process which uses the original camera
tapes to repeat all decisions made in the off-line editing process.
Optical Printer - Laboratory machine for combining the images of one or more reels of film through photographic techniques.
Optical
Soundtrack - Composite print in which the soundtrack is recorded via
the varying width of a transparent track which runs beside the sequence
of frames on a print.
Option - Agreement of renting the rights to a script for a specific period of time.
Off Screen (o.s.) - Dialogue or sounds heard while the camera is on another subject.
Out-Take - A take of a scene not used in a movie.
Overcranking - Process of speeding the frame rate of a camera up, so
that when the captured pictures are played at the normal frame rate the
action appears to be in slow motion.
Overexposure - Filmming a
scene using more lighting than the film stock can tolerate. Oxide -
Magnetic coating on video and audio tapes that stores picture and sound
information.
P
PAL (Phase Alternation by Line) - A standard for TV/video display popular in Europe and Australia; superior to NTSC.
Packaging
- Process of putting together on the same project a writer or
screenplay, director, producer, and star talent, all of whom are
generally represented by the same agency, and presenting this package to
a studio.
Pan - The action of rotating a camera about its vertical axis.
Pan and Scan - The technique of chopping off strips from one or both
sides of a picture so it will be properly displayed on a TV screen.
Perf (or) Perforation - Sprocket holes in a piece of film which help thread it through the camera or projector.
Pickups - Movies made by one studio that have been acquired by another.
Pilottone
- 60hz (50hz in Europe) reference signal, used in sync sounding, which
is recorded onto the audio portion of the tape.
Pipeline - A schedule of movie projects in production.
Pitch - Meeting in which one party will attempt to interest another
party in a particular work or in a version of a particular work by
presenting the story of the work in such an exciting manner that the
buying party will find great interest in the work and will either buy
the work or pay the "pitching" party to write the work.
Pixelation - A variant of stop-motion animation where actors are the objects being filmed.
Point of View (or) POV - Camera angle in which the camera views a subjective shot from the actor's point of view.
Polish - The writing of changes in dialogue, narration, or action, but not including a rewrite.
Post-Production - Work performed on a movie after the end of principal photography.
Pre-Production
- Arrangements made before the start of filming; script editing, set
construction, location scouting, and casting.
Premiere - The first official public screening of a movie, marking the opening.
Premise - The basic idea for a story often taking the form of a question or a problem.
Prequel - Movie that presents the characters and/or events chronologically before the setting of a previously filmed movie.
Preroll - 5 to 7 seconds of camera running time before a shot can be
used. In editing, this refers to a similar amount of automatic
backspacing the edit decks perform to insure a stable edit.
Pressure Plate - Spring load plate which holds the film steady on the film plane while its being exposed.
Prime Lens - Simply, the opposite of a "zoom lens." It's a fixed focal length lens which can be normal, wide, or telephoto.
Principal Photography - The filming of major or significant components of a movie which involve lead actors.
Print - Projectable version of a movie, usually consisting of one or more reels.
Producer (Film) - The chief of a movie production in all matters save
the creative efforts of the director; raising funding, hiring key
personnel, and arranging for distributors.
Producer (TV) - Usually
a current or former writer who has successfully written for a number of
years as a staff member on a show and is now responsible for the
creative aspects of the show.
Production Assistant - Individual
responsible for various odd jobs, such as stopping traffic, acting as
couriers, fetching items from craft service, etc.
Production Bonus
- Cash bonus given to the writer of a screenplay who receives shared or
sole "Screenplay by" or "Written by" credit when the screenplay is
turned into a film.
Production Buyer - Individual who purchases supplies, equipment, and property necessary for a production.
Production
Company - Company headed by a producer, director, actor/actress, or
writer for the purpose of creating general entertainment products such
as motion pictures, television shows, infomercials, commercials, and
multimedia.
Production Date - Refers to the phase of movie making during which principal photography occurs.
Production Designer - Artist responsible for designing the overall visual appearance of a movie.
Production
Illustrator - Individual responsible for drawing the storyboards and
anything else that needs to be drawn during the production of the movie.
Production Manager - Individual responsible for the practical matters
such as ordering equipment, getting near-location accommodations for
the cast and crew, etc.
Production Schedule - Detailed plan of the
timing of activities associated with the making of a movie, of
particular interest to production managers.
Prompter - Individual who supplies actors with the correct lines from the script if they forget.
Prop - Object on the set used by an actor, e.g. phones, guns, cutlery, etc.
Property Master - Individual responsible for buying/acquiring any props needed for a production.
Protection Master - A high quality copy of the master tape.
Public Domain - The state in which the creator of a work loses the
copyright on it through the passage of the copyright period, failure to
renew the work, or problems with the original registration of the work
with the copyright office.
Publicity Department - The section of a production's crew responsible for promoting a movie.
Pull
Down - The transfer of sound slowed from 24fps (film) to 30fps (video)
which is required to sync the sound correctly when transferring film to
video.
Pulldown Claw - Mechanism within the camera that advances
the film stock from one frame to the next while the shutter is closed.
Push Processing - Type of film processing when the film is
developed for a longer period of time. This is called "pushing the
film," so an underexposed roll (or scene) can be adjusted.
Q
Quartz Light - AKA "tungsten" or "halogen" light. Hot/bright light
(3200K) which uses a tungsten filament in a quartz container. This type
of light can be quite "explosive" so take care never to touch bulb with
bare hands. Always use gloves or some type of rag/cloth.
Quick Release - Device that assists in the quick mount/dismount of a camera from its tripod.
R
Rack Focus - Changing (racking) the focus on the focus ring while shooting.
Raw Footage - Exposed film that has yet to see any type of editing.
Raw Stock - Film stock that is unexposed.
Reaction Shot - Shot of a person reacting to dialogue or action.
Reader - Individual who reads scripts and writes down synopsis of the
plotline, offering positive or negative comments (the process is called
"providing coverage"), which assist studio execs or interested parties
if script is worthwhile.
Reading Period - Period after a writer
has been hired to write an assignment that a hiring body will review.
This body will give suggestions and decide whether to pick up the option
to have the writer produce further work. Can't find what you're
looking for? A greatly expanded version of the glossary is included on
the downloadable ebook version of this site.
Recans - Leftover (unexposed) film in a magazine that is still good to use.
Recoupment - Gross funds from a film that are required to pay off
negative costs, overhead, ongoing distribution fees, interest, financing
and distribution costs, and, in appropriate cases, payment of gross
participations.
Reel - (1) Sample of filmmaker's projects (much
like a resume). (2) Metallic (or plastic) spool which is used for
holding film during editing (or projection).
Reflective Light
Reading - Another type of light reading that differs from "Incident LR."
This type of reading is the measurement of light that is bouncing off
the subject.
Reflex - Viewfinding system in which the view finder uses the same lens that is used to shoot the image.
Release Form - Statement signed by an individual that generally frees
the creator of the document from any kind of liability.
Release
Print - Print made after the "answer print" has been agreed upon. This
is the copy of the film that is distributed to theatrical houses for
public presentation.
Re-recording Mixer - Member of the sound crew
responsible for mixing the final sound elements (dialogue, music, sound
effects and foley).
Reversal - Type of film and film processing which generates a positive original print.
Reverse Shot - Shot from the opposite side of the prior shot. (Example: a conversation between two actors).
Rewrite - More than a polish, this is considered the writing of
significant changes in plot, story line, or interrelationship of
characters in a screenplay.
Rider W - Provision of the
Artists/Managers Basic Agreement of the Writers Guild of America in
which the contract between WGA members and signatory agencies has been
pre-negotiated.
Ripple - Automatic updating of an Edit Decision List after making a change to the list.
Rising Action - Notion of dramatic rhythm in which events in a story build upon one another with increasing momentum.
Roll - Credit rolls consist of video text moving vertically up or down the screen, usually from bottom to top.
Room
Tone - A recording of the natural ambient "silence" in a set/location
for the sound editor, who will use it as a reference point, or for when
silence is required.
Rotoscoping - Animation technique in which images of live action are traced, either manually or automatically.
Rough Cut - Edited film between an assembly cut and a fine cut.
Rushes - AKA "Dailies." This is the unedited workprint, direct from the lab, that is scrutinized to see how the shoot came out.
S
Safe Area - Area beyond the "live area" of a camera's viewfinder that
the camera operator might direct the boom operator to place the boom
microphone.
Safety - A "back-up" take done after a successful one has been shot.
Sample Reel - Contains samples of a person's or company's best video work for the purposes of marketing; a.k.a. demo reel.
Sample
Script - Script a writer has created on his own initiative and used to
attain meetings for the writer in order to expose him to the
entertainment industry.
Scale - Writing for payment on the minimum
rates set forth in the Writers Guild of America Minimum Basic
Agreement. Basic rate is scale plus 10 percent in order to include the
commission that the writer's agent will receive.
Scene - Continuous block of storytelling either set in a single location or following a particular character.
Scene Cards - Method used by some writers to outline their script by
describing each scene on an index card, then arranging and rearranging
them to work out the story structure.
Score - The musical component of a movie's soundtrack.
Scratch
Track - Sync recording which is created for a reference for the sound
editor (or the actors who must re-record dialogue).
Screen Actors Guild (SAG) - Union guild for screen and television talent.
Screen
Story - Credit given to a writer who has written a screenplay based on
another writer's work but has used the other writer's work only as a
springboard, a characterization, an incident, or some equally limited
contribution, creating a story that is substantially new and different
from the other writer's work.
Screen Test - Form of audition in
which an actor performs a particular role on camera, not necessarily
with the correct make-up or on the set.
Screening - Exhibition of a movie, typically at a cinema.
Screenplay
- A script written to be produced as a movie. Normally between 90-120
pp. Screenwriter - A writer who either adapts an existing work for
production as a movie, or creates a new screenplay.
Script - A
written work detailing story, setting, and dialogue. A script may take
the form of a screenplay, shooting script, lined script, continuity
script, or a spec script.
Script Editing - Process whereby a script
is reviewed and changed, based on input from various sources such as
the director or producer.
Script Supervisor - Individual who
tracks which parts have been filmed, how the filmed scenes deviated from
the script; they also make continuity notes, creating a lined script.
SECAM (Systeme Electronique Pour Colour Avec Memorie) - The color
television system developed/used in France as well as in other parts of
eastern Europe & Africa. Second Assistant Camera - An assistant to
the assistant cameraman.
Second Assistant Director - Assistant to
the assistant director whose duties include overseeing the movements of
the cast, and preparing call sheets.
Second Second Assistant
Director - Assistant to the second assistant director; responsible for
(among other things) directing the movements of extras.
Second
Unit - Small, subordinate crew responsible for filming shots of less
importance, such as inserts, crowds, scenery, etc.
Selects - The "selected" shots that are going to be used in editing which are separated from the remaining footage.
Seperation
of Rights - Rights given to the creator of an original written
material. Includes: publication, audio, live stage, live dramatic tape,
live television, radio, and writer sequels and remakes.
Sequel - Movie that presents the continuation of characters and/or events of a previously filmed movie.
Serial - A multi-part film that usually screened a chapter each week at a cinema.
Series
- Sequence of films with continuing characters or themes, but with
little other interdependence, especially with respect to plot or
significant character development.
Services Contract - Contract
that a writer-client signs with an agency for representation in order to
receive writing assignments.
Set - An artificial environment which
is constructed to make filming easier but still appear natural when
viewed from the camera angle.
Set Designer - Individual
responsible for translating a production designer's vision of the
movie's environment into a set which can be used for filming.
Set
Up - Term describing both the function of the first act in posing of the
problem which the story will try to resolve, and in a more general way,
the process of laying the groundwork for a dramatic or comic situation
which will later be complicated, and then resolved or paid off.
Shooting
Ratio - Ratio of the film shot compared to the actual running time.
(Example: Ten hours of footage for a 1 hour film would have a 10:1
shooting ratio). Shooting Schedule - Production schedule for shooting a
film with the scenes from a script grouped together and ordered with
production considerations in mind. Shooting Script - Script from which
a movie is made which contains that includes scene numbers, camera
angles, inserts, and certain directors/cinematographers input.
Short Subject/ Short - Movie that is shorter than 60 minutes
Shot - Continuous block of unedited footage from a single point of view.
Shot Composition - Arrangement of key elements within the frame.
Shotgun Mic - Highly directional microphone that may be hand-held or mounted on a boom.
Shutter Speed - Length of time that a single frame is exposed for.
Silent Film - Film that has no synchronized soundtrack and no spoken dialogue.
Silent Speed - Rate for silent films is 18fps.
Single Perf - Film stock that has only one row of perforations along its edge.
Situation
Comedy - Comedy in which humor is derived from people being placed in
uncomfortable, embarrassing, or unfamiliar situations.
Slapstick
Comedy - Comedy in which the humor is derived from physical
interactions, often involving exaggerated but ultimately harmless
violence directed towards individuals. Slate - Small blackboard
(chalkboard) used to record the scene number of a specific shoot.
Usually has a clapstick attached at the top which is "clapped" to create
a sync mark. Slow Motion - Shot which in which time appears to move
more slowly than normal.
Slug Line/Slug - A header appearing in a
script before each scene or shot detailing the location, date, and time
that the following action is intended to occur in.
Society of
Motion Picture and Television Engineers (SMPTE) - Technical society
devoted to advancing the theory and application of motion-imaging
technology including film, television, video, computer imaging, and
telecommunications.
Softlight - Light which is diffused and creates very soft shadows .
Sound
Crew - Group of crew members directly involved with creating of a
movie's soundtrack: sound designer, sound editor, sound effects, sound
mixer, sound recordist, boom operator, re-recording mixer, music
supervisor, and foley artist.
Sound Designer - The conceptual
chief of a movie's soundtrack, responsible for designing and creating
the audio component of a movie.
Sound Editor - Member of the sound crew who performs editing on the soundtrack. See also dialog editor.
Sound Effects - Sounds added during post-production by the sound crew.
Sound
Mix - Process of re-recording multiple reels of track to produce one
final soundtrack, which includes all dialogue, "looped" dialogue (ADR),
music, sound effects and foley, and narration (if any), for each reel of
picture.
Sound Recordist - Member of the sound crew responsible for operating the audio recording equipment on a set.
Soundstage - Large studio area where elaborate sets may be constructed.
Soundtrack - The audio component of a movie.
Speaking
Role - A role is one in which the character speaks scripted dialogue in
contrast to a "non-speaking role" where the character is specifically
mentioned in the script but who doesn't have any lines of dialogue in
the finished film.
Spec Script - Script written before any
agreement has been entered into ("on spec" or speculation), in hopes of
selling the script to the highest bidder once it has been completed.
Special Effects (SFX) - Artificial effect used to create an illusion in a
movie.
Special Effects Supervisor - Chief of a production's special effects crew.
Speed - Term shouted out during the beginning of a shot by the
cameraman or sound recordist to let crew know that the camera is
rolling.
Spherical - Optical system which in which the
magnifications in the vertical and horizontal dimensions of the picture
are the same.
Split Screen - Matte shot that is divided down the center creating two (or more) images at the same time.
Splice
- Editing technique of joining two separate pieces of film together
(using tape or cement) to create a continuous piece.
Squib - Small explosive device, which when detonated ,will simulate the effect of a bullet/puncture wound or small explosion.
Stand-In
- Individual who has the same physical properties of a particular
actor, and takes their place during the lengthy setup of a scene.
Steadicam
- Camera attached to a camera operator via a mechanical harness which
reduces or eliminates the unsteadiness of the operator's motion.
Step Outline - Method used by some writers to outline their story by
numbering the major scenes and the order in which they occur.
Still Photographer - Individual who photographs the action (often alongside the camera) to be used in publicizing the movie.
Stock Footage - Footage from other films that are used in a production.
Stop Motion - Form of animation in which objects are filmed frame-by-frame and altered slightly in between each frame.
Storyboard - Sequence of pictures created by a production illustrator
to communicate the desired general visual appearance on camera of a
scene or movie.
Stunt Coordinator - Individual who arranges and plans stunts.
Stunt
Double - Stunt performer who specifically takes the part of another
actor for a stunt. Subplot - Also called the "B Story," the subplot is
used in various ways, weaving in and out of the main action.
Subtitles - Words which are superimposed over a film which mirror the dialog that is heard at the time.
Super 16 - 16mm film on which a wider image is exposed. Used mainly when planning to blow up the film to 35mm.
Surround
Sound - Sound system which creates the illusion of multi-directional
sound through speaker placement and signal processing.
SVHS - Video format developed by JVC which has largely replaced the 3/4 inch format for low budget productions.
Sweetening - Audio post-production where audio is corrected and enhanced.
Swing Gang - Group within the art department that construct and take down a set.
Switcher
- Device with a series of video inputs that permits one or more
selected inputs to be combined, manipulated and sent out on the program
line or edit VCR. Sync - The degree in which a picture and
accompanying sound are lined up together.
Sync Sound - The sound
(usually dialogue) that is actually recorded via a crystal or cable sync
during filming. Not to be confused with room tone, sound effects, or
other non-diagetic sound.
Syncing - Process of which the film and sound are lined up before editing them together.
Synopsis - Summary of a story told in present tense.
T
T-Stop - Used to measure the actual amount of light that is striking the
film in a hselect lens; such as a zoom lens. The "t-stop" is in red on
the aperture ring. It is not to be confused with "f-stop" (which is a
mathematically measurement) and is in white on the aperture ring.
Talent - Informal term for actors and extras.
Take - Different version of the same shot.
Take Up Reel (or) Spool - Empty reel which gathers the film as it
passes through the projector. Similarly, an empty spool that does the
same task as it passes through the camera.
Technical Advisor - Individual with expertise in a particular field who provides advice for the production.
Telecine - Device for transferring motion picture film to video tape.
Teleplay
- Script written to be produced for television whose length is 42-48
long for a standard one hour TV show, often structured in the
teaser/4-acts/tag format. A 1/2 hour sitcom has an average page count of
45-50 pp double spaced and usually consist of 2 acts with 4-6 scenes
per act.
Telewriter - Writer who either adapts an existing work for production on television, or creates a new teleplay.
Three-Act
Structure - Traditional storytelling sequence which includes (1) the
set-up, (2) the complication, and (3) the resolution.
Three-Camera
Format/Set-Up - Standard video-studio setup which utilizes three
different cameras. Can't find what you're looking for? A greatly
expanded version of the glossary is included on the downloadable ebook
version of this site.
THX - Subdivision of Lucasfilm, Ltd. that is dedicated to improving picture and sound for the cinema and the home.
Tilt - Rotating the camera either up or down.
Time Base Corrector/TBC - Device to correct timing errors which can
cause unstable edits. These errors are caused by the slight mechanical
defects inherent in the playback of video tape machines.
Time Code - System of numbering each frame of video with a unique address divided into hours, minutes, seconds and frames.
Time
Lapse Photography - Form of animation in which numerous single frames
are filmed spaced at a given interval to show a process that would take a
very long time to occur.
Timing - Process in which a lab renders
the proper exposure and color when creating a print. The brightness of
the timing lights (or lamps) can be controlled and have a range from (1)
the darkest to (50) the brightest.
Timing Report - Report
produced by the lab which lists the timing lights (or printing lights)
that was used in processing a print.
Title Design - The manner in which title of a movie is displayed on screen is widely considered an art form.
Track
- Single component or channel of a soundtrack. Tracking Shot - The
action of moving a camera along a path parallel to the path of the
object being filmed.
Trades - Newspapers that report the daily or
weekly entertainment news of the entertainment industry; The Hollywood
Reporter, Daily Variety, and Weekly Variety. Trailer - Advertisement
for a movie which contains scenes from the film.
Transportation
Co-Ordinator/Manager - Individual responsible for managing drivers and
coordinating the transportation of a production's cast, crew, and
equipment from the various locations and sets used for filming.
Travelling
Matte Shot - Shot in which foreground action is superimposed on a
separately filmed background by optical printing or digital compositing.
Treatment - A movie in prose form, anywhere from 15-60pp, which
details a blow-by-blow summary of the story (important details of each
scene, action, and character) told in present tense and generally with
no dialogue.
Trims - Outtakes of only a few frames.
Trucking Shot - A camera move which films the subject from side to side.
Tungsten
- Color temperature of artificial light (3200K). Tungsten balanced film
is to be used for indoor shooting and if used outdoors (w/o a filter)
will give the exposed image a light blue hue.
Type C - SMPTE standard for 1-inch non-segmented helical video recording format.
U
U-Matic - Trade name for the 3/4 inch video format developed by Sony.
Undercranking
- Process of slowing the frame rate of a camera down, so that when the
captured pictures are played at the normal frame rate the action appears
to be in fast motion.
Underexposure - Shooting a scene in which
there is not enough light for the film stock's emulsion to handle
creating a darker image than desired.
Underscan - Video monitor
that can reduce the size of the video image so the four outer frame
edges can be viewed in their entirety.
Unit Production Manager - Executive who is responsible to a senior producer for the administration of a particular movie.
Upright - Editing machine (Upright Moviola) which has arms in the back to hold the take up and supply reels.
V
Vectorscope - An oscilloscope designed to monitor and tweak the color portion of the video signal.
Vertical
Interval - Indicates the vertical blanking period between each video
field which contains additional scan lines above the active picture area
into which non-picture information (captioning, copy protection and
other control signals) may be embedded.
Vertical Sync -
Synchronizing pulses used to define the end of one television field and
the start of the next, occurring at a rate of approximately 59.94 Hz.
Video Toaster - Software/hardware developed by NewTek for the Amiga Computer which produces affordable special effects.
Videographer - Video photographer who specializes in events like weddings.
Visual Effects - Alterations to a film's images during post-production.
V.I.T.C.
(Vertical Interval Time Code) - Type of time code is recorded in the
vertical blanking interval above the active picture area.
Voice-Over (V.O.) - Indicates that dialog will be heard on a movie's
soundtrack, but the speaker will not be shown. The abbreviation is often
used as an annotation in a script.
W
Wardrobe Department - Section of a production's crew concerned with
costumes: costume designer, costumer, and costume supervisor.
Waveform Monitor - Oscilloscope designed for monitoring and adjusting
luminance and all other parts of the composite video signal.
Whip Pan - Extremely fast pan, incorporating much motion blur.
White
Balance - A color camera function which determines how much red, green
and blue is required to produce a normal-looking white.
Wide Lens - In 16mm, a lens smaller than 25mm. In 35m, a lens smaller than 50mm.
Widescreen - Movie which has an aspect ratio which is greater than academy ratio when projected.
Wild Sound - Non-sync sound that is recorded when the camera isn't running.
Window Dub - A copy of the original camera tape with time code numbers visually displayed; also called a "burn in."
Wipe
- Editing technique in which images from one shot are fully replaced by
the images of another, delimited by a definite border that moves across
or around the frame. Work Print - Positive copy of the original
negative.
Working Title - Name by which a movie is known while it is being made.
Wrangler - Individual who is responsible for the care and control of entities used on a set that can't be spoken with.
Wrap - To finish shooting, either for the day or the entire production.
Writer's
Guild of America (WGA) - Association that representatives the writers
in the motion picture, broadcast, cable, interactive and new media
industries.
Writing Period - The time during which a writer is to
complete his work. During this time the writer's services are generally
exclusive to the production that has hired him. Written by - The
credit given when one or several writers have created both the story and
the screenplay, and there is no source material. The credit is also
given in television if the writer has created both the story and the
teleplay.
X
Xenon - Extremely bright (5400K) daylight-balanced projection lamp.
Z
Zoom - Shot in which the magnification of the objects by the camera's
lenses is increased (zoom in) or decreased (zoom out/back).
Zoom
Lens - Unlike a fixed-focal lens (which has one setting), this lens has
variable settings which allows the focal length to have a range from
wide to long.
sumber : http://www.filmfold.com/
